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Cover of: The Masonic Career of a Kabbalistic Lithograph: Max Wolff, »Origin of the Rites and Worship of the Hebrews« (New York, 1859)
Peter Lanchidi

The Masonic Career of a Kabbalistic Lithograph: Max Wolff, »Origin of the Rites and Worship of the Hebrews« (New York, 1859)

Section: Articles
Volume 28 (2021) / Issue 2, pp. 191-218 (28)
Published 09.06.2021
DOI 10.1628/jsq-2021-0010
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  • 10.1628/jsq-2021-0010
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Summary
This article presents the Masonic career of a kabbalistic lithograph in the United States in the middle of the 19th century, against the background of a sectarian debate that concerned the religious character of Freemasonry. In their struggle for equality, Jewish Freemasons took advantage of the Solomonic heritage of Masonic mythology and advocated a Jewish origin for the fraternity, in which Kabbalah assumed a role of providing esoteric underpinnings for this narrative. The article shows that within the wider historical framework of Jewish-Christian relations, the kabbalistic lithograph became a tool in the hands of Jewish Freemasons in a Masonic sectarian debate.